The inaugural Organ Reframed took place at Union Chapel 7th to 10th October 2016.
Over the 3 nights we saw a varied programme of film, intimate solo sets, ensemble improvisations and large scale commissions. A festival of experimental music, it challenged perceptions and showed our extraordinary 1877 organ in a new light.
Nosferatu film screening with premiere of new score by Irene Buckley for organ/electronics/viola/cello
Friday 7th October, doors 7pm
Organ: James McVinnie.
Electronics: Irene Buckley.
Viola: Robert Ames.
Cello: Laura Moody.
Commissioned for the opening of Organ Reframed, composer Irene Buckley premieres her new score accompanying the gothic silent film masterpiece, Nosferatu. An iconic film of the German expressionist cinema.
Daylight Music 235: Organ Reframed Special
Saturday 8th October, doors 12pm
Please note, this event is free – suggested donation: £5.
Performers: Lætitia Sadier, Emilie Levienaise-Farrouch, Ed Dowie and Angèle David-Guillou, + more to be announced
This very special Organ Reframed edition of Daylight Music will take a stripped down approach focusing on the powerful combination of organ and voice.
Saturday 8th October, doors 6pm
Performers: Charles Matthews, Fennesz, Philip Jeck,Simon Scott, Claire M Singer, John Beaumont and The Eternal Chord
Spire, an experimental music programme for organ and electronics combining works ancient and modern carefully curated by Charles Matthews, organist, and Mike Harding, creative producer (Touch).
Five new commissions for James McVinnie and the London Contemporary Orchestra
Sunday 9th October 6.30pm
Composers: Craig Armstrong, Mark Fell, Alex Groves, Chaines and Catherine Lamb
Internationally renowned organist James McVinnie and the London Contemporary Orchestra, one of the UK’s most innovative and respected ensembles premiere five new works from prolific composers in celebration of the final night of Organ Reframed.
A Knowing Space: Sound installation for organ pipes and transducers by Bill Thompson
7th – 9th October, accessible at events only
Specially commissioned for Organ reframed A Knowing Space explores the idea of resonance using durations and timings derived from prime numbers as well as the pitches of organ pipes. The installation is played through seven pipes using transducers that vibrate and fill the space.